How did the­se Neu­land and Lithos come to sig­ni­fy Africans and African-Amer­i­cans, regard­less of how a design­er uses them, and regard­less of the pur­pose for which their cre­ators orig­i­nal­ly intend­ed them? Lined & Unlined explores poten­tial­ly-racist typog­ra­phy